Living Carcass


Last night, Carcass performed live in Tel Aviv. It was their first time in Israel in 25 years or something. The first time I saw them live was at Wacken in 2014 and if you were following my previous posts or read it in my zine, you would know that I wasn’t entirely blown away by their performance at the festival. So I rather expected their Israeli show to at least be slightly better. I don’t know what it is, maybe I’m getting old, but no, I wasn’t blown away by their Israeli performance either.

Don’t get me wrong. Carcass is amazing! They’re an epic band with a sound like no other. I absolutely love their songs. My husband and my metalhead friends loved the fuck out of their show. So after the show was over, I was trying to figure out why I didn’t.

We drove to Tel Aviv that evening after Shabbat came out. I didn’t wear as many layers as I usually do in this time of year because I expected it to be much warmer in Tel Aviv. It usually is, but this time it wasn’t. Fucking freezing weather and I curse thee winter. Asshole season, seriously.

The first band on the bill was Shredhead. I expected my ears to bleed seeing as I was told they were metalcore. But the band didn’t suck as much. I was just happy to be at a metal concert again.

After Shredhead was done tearing up the stage, and before Carcass was set to come up and (hopefully) pulverize it, the soundguy, for some godforsaken reason, decided to play a medley of ACDC songs.

Now, I’m sure I will make me some sworn enemies coming to my house with torches, but I. CANNOT. STAND. ACDC. A bunch of untalented cock-rock musicians, fronted by a guy who sounds like a dying cat choking on a frog. And all their songs sound the fucking same!

Anyway, when that shit was over, Carcass finally came up. A lot of their opening songs were from Heartwork and Surgical Steel. Two amazing records. The live songs were pretty good, except that I really like singing along to songs played live but Jeff Walker wasn’t singing exactly as he does on the record, so I had a bit of a hard time with that.

I also expected them to play at least one song off of Swansong. In fact, they played one and a half. That’s right, one and a half. They played the intro to Black Star, which is my favorite Carcass song ever. I screamed and started headbanging myself crazy, but then right before the beginning of the first verse, they suddenly switched gears and started playing Keep On Rotting. And I was like standing there going “What the fuck? Why would you do that?!”

A fucking tease is all it was. It may seem like a minor infraction but I think this is what killed it for me. I was livid. If you’re gonna start playing a song, play it to the bitter end. I told my husband after the show that I really think Carcass hate their own record. They probably think that Swansong is a piece of shit and refuse to play it live and think they can’t possibly destroy these songs any more than they already are so playing an intro to a song and then flick the switch and move on to another is perfectly acceptable.

It isn’t.

The rest of the songs were mostly from their older records, none of which I know. I found it irritating that they didn’t always hold for applause before playing the next song so at some point it just made it sound like a single longass endless song. They also played a couple of songs from their latest, Surgical Steel, which is also pretty good. And the last song was Heartwork, which I would have loved if I wasn’t so disappointed by the non-existence of Black Star.

Besides that, Jeff sometimes joked with the crowd, but his heavy British accent made it impossible for me to understand him. The rest of the crowd did, which is amazing assuming that they’re all Israelis with English as a second language, and I’m a Canadian with much better English than them, but I still failed to understand what the hell Jeff was saying. I think it’s like the French French who can’t for the life of them understand the French Canadians. Give me the old osti d’criss and be done with it.

I think another reason I didn’t enjoy the show as much as I should have is because earlier that day, my daughter had been either teething or experiencing some pain from the shots she got last week and was whining quite a lot. I felt bad leaving her in that state and going to a different city and coming home so late. I left her in the care of my mother-in-law who is great with her, but still. It wasn’t me. I felt as if I was abandoning her when she is in pain. In fact, my mother-in-law told me she didn’t fall asleep until 12:15 a.m. So how was I supposed to enjoy anything knowing that my daughter is in another city suffering and needing her mother?

Anyway, I’m still glad I got to go. I guess. Tonight, we have Sunday metal night. I plan on adding Black Star to the playlist and listen to it in all its full-length glory. And may the Goddess have mercy on anyone who dares to cut it short.

Peace, love and Carcass, keep on rotting yourself.


The Good, the Bad and the Metal


When War Eternal was released and I was dumbstruck by just how crappy Arch Enemy had become, I thought, or rather hoped, it was a momentary lapse in judgment from the band or the producers. But now, out comes Will to Power to shatter any shred of hope for a better future for the band.

It’s official. Arch Enemy has sold out. And all of us United Enemies are in mourning.

I recently posted a link on Facebook to the album review written by a dude who calls himself Angry Metal Guy. He describes pretty accurately what I feared Arch Enemy would become if they continued down the path that War Eternal laid for them. Power metal, with lots of electronics, and the occasional clean vocals that have absolutely no place in death metal, no matter how melodic the band’s style may be. Basically, Will to Power is to Arch Enemy what St. Anger was to Metallica. A regurgitated dump.

Today, on the way to work, my player was on shuffle and “The Last Enemy” came up.

This, I thought, this is what death metal sounds like. This is Arch Enemy at its finest.

Seriously, War Eternal and Will to Power were written by a completely different band. I’m sorry, but I refuse to recognize these piles of horseshit masquerading as metal albums as having been written and recorded by a band that used to be so brutal and so brilliant.

carcass_flyer_12Onto brighter news, after Amon Amarth graced Israel by its presence and played a kickass show in Tel Aviv, up next on the bill is Carcass. They will be playing a show in Israel on December 9. My husband already bought the tickets, and we are currently looking for a babysitter.

Like Amon Amarth, we already saw Carcass at Wacken. The difference is that Amon Amarth’s show at Wacken was beyond spectacular, whereas Carcass’s show was not. I mean, it wasn’t bad, but it wasn’t as good as we had hoped it would be. At the festival, they did not play a single track from Swansong, and not enough tracks from Heartwork. Also, back then, their latest record had just been released and we weren’t as familiar with the songs as we are now.  So we now hope that their show in Israel, which is not a festival, and which they are headlining, and in which they will most likely play a longer set, will kick as much ass as a Carcass show should.

Back to Arch Enemy, it should be emphasized that they still hold the number one spot in my list of favorite bands. That’s the Arch Enemy that recorded such masterpieces as Rise of the Tyrant, Wages of Sin, Doomsday Machine, Anthems of Rebellion, Root of All Evil and Khaos Legions.

Here’s to hoping for better days and better records.

Peace, love and Metal be thy name.