The Lindemann Blast

I mostly dread January 1. Many of the new year days I’ve had in my life were full of shit. I’ve detailed them in a previous post (I’m too tired to search for it in my archives now) but suffice it to say they were unmemorable at best and downright nightmarish at worst.

But not this year!

This year started off with eardrum-perforating bangs emanating from the stage in the Toto Center in Holon. Till Lindemann kicked off his Ich Hasse Kinder tour with the first ever show in Israel, and no amount of Covid germs were going to keep me from being there. That was last night, so not exactly new year’s eve but still January 1 and still a badass way to start off 2022.

We still took whatever precautions we could. The venue kept a strict record of Green Passes, so that was a relief. Both me and my husband were triple-vaxxed and double-masked just in case. We were glad to see that the venue wasn’t so packed and we were still relatively close to the stage. Visibility was 100%, the sound was not too overwhelming and I wasn’t upset I forgot my earplugs, but the floor still vibrated from the bass and I loved the shit out of it.

My favorite tune was “Knebel”. He delivered a kickass version of it and he paused for a few second before blasting off into the “Mund” scream part of the song. The stage went silent as the crowd screamed “Mund!” and Till pumped his hands with the palms facing up to urge the crowd to scream louder, and then he burst into “IN DEM MUUUUUND!!” I tried to scream as loud as I could. It proved to be tricky behind my double-mask layers.

It was nice and theatrical. Many things were tossed into the crowd. Aside from the usual drumsticks and water bottles, Till also tossed real dead fish (during “Fish On”) and no less than like 10 cakes (during “Allesfresser”). We weren’t within the range of the projectiles but it was still fun to watch. There was also the video art in the background which was just as obscene and gag-worthy as I expected it to be. Definitely not a show for the faint of heart. That’s a forewarning for anyone out there who is also looking forward to see Till performing live.

And despite his name being the Hebrew word for “missile”, Till had no explosions or pyrotechs in the show, as opposed to Rammstein shows. He still delivered an awesome performance and we still had a blast, even with no actual fire involved. And that blast was all the new year fireworks we really needed.

The ringing drone, the stiff neck, the butchered throat and the lack of sufficient sleep I suffer from now is definitely worth it. If not for the first real metal show I’ve had in the past two years, then definitely for finally getting a chance to wear my full metal gear – my black pants with the metal buckles, my studded belt, and my black velvet jacket with the faux-fur on the collar and the metal studs and buckles all up and down the fabric – which has been collecting dust in my closet, sadly discarded.

I took no pictures during the show because I was enjoying myself too much, but here’s a picture of Till next to the Sheraton hotel in Tel Aviv.

Peace, love and the Covid risk is worth it too

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