Ink and Blood Are One

Manson1For almost all of last week, I’ve been hardcore reminiscing. It was triggered by my plans to organize my DIY bookshelf full of my old diaries and high school agendas. As I was organizing, I found myself looking through some of them, skimming, reading, admiring the elaborate collages and drawings filling the pages top to bottom, left and right.

I kept on reminiscing as I was writing about it on my blog and in my zine and as I was reading my old posts. And it reached its peak on Thursday when Marilyn Manson’s cover of “Sweet Dreams” came blasting through my earphones. I flashed back to my confused wayward adolescence remembering how the freaky artist, the god of goth, the worst nightmare for parents worldwide became my ultimate salvation.

I was terrified and thoroughly disturbed the first time I saw the video for “Sweet Dreams”. The trashy smudged makeup, the different color eyes topped by no eyebrows, the crumbling run-down spot they chose to shoot the video, the close up of Manson’s scarred and slashed abdomen, all these elements scared me to the core, but I couldn’t turn away.

Manson6I tried to convince myself that this is something I should hate and ought to avoid. I tried. I really did. I drew Manson several times with the tagline “Check out that freak!” I watched his 1997 performance at the MTV Video Music Awards with my friend telling her “look at this freak. Who listens to that music anyway?” But when she switched the channel saying “Okay enough of this crap,” I regretted it. I wanted to keep watching but didn’t know why. If I hate it so much, why do I love it so much?

Manson2

Soon thereafter, I couldn’t avoid it anymore. I had fallen for the fallen angel. My list of favorite artists changed. Manson had vanquished the top spot and Michael Jackson was relegated to the very bottom with a resounding crash. The posters in my room had turned dark and morbid. I plastered the walls with Manson’s trademark eyes and lack of eyebrows. Every visit to HMV or Music World left me with one more Manson record in my repertoire.  First was Remix and Repent, then Mechanical Animals, then Antichrist Superstar, shortly followed by all the others. I squirmed with delight with every “I AM THE GOD OF FUCK”.

My parents were mortified.

Everything I created, all my art, my writings, my poetry also turned dark and morbid. Manson’s influence was undeniable.

This past week, as I was looking at my drawings and read my poems of ages past, I thought how sad it is that I can’t draw as easily and as perfectly as I once did. I lamented my lack of time to write anything of substance and depth as I once did. My mind, fueled by Stephen King’s On Writing, which I read recently, frantically searched for ways to make time and set up an environment for me where I could reclaim my long-lost sense of creativity and my flawless prose. Back then, all I needed to do to write something brilliant was close the bedroom door and let it all out – no rules and no limits. I could even do it during some boring class. Bury myself within myself and sprinkle the page with magic.

But now, I’m filled with inspiration with no means for release and no way to use it to my advantage to fight the motherfucking end of words. The end of words which was my biggest fear, even worse than death itself, has grabbed me by the neck and I simply cannot wriggle myself out of its grip.

Fuck. This just made me cry.

I need to fucking write. I can’t take this. Even if my prose sucks. Let it suck, I don’t care.  End of words be damned, let go of my fucking neck. I need my oxygen, my ink blood, my life force.

What the fuck am I gonna do?

Writing for five minutes a day is far from satisfactory.

Peace, love and suffocation.

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